22:41
kingsland road, waiting for the 149
She brought flowers for the host. She’s keeping them. The brooch was never in question.
Nº 009 — the night pansy£95 · one of one
cut, shaped and stitched by hand in london. one at a time, so no two are the same.
— the only rule we havethe night in five photographs
roll 06 · e8 → n16 → bed
23:58
the smoking area, somewhere off dalston lane
Somebody’s mother’s fur. Nobody’s lighter. A cream rosette doing all the talking.
Nº 021 — the cream rosette£110 · one of one
01:12
the queue for the loo
The coat went missing around midnight, so it went in her hair instead. Better, frankly.
Nº 017 — the dusk rose, with tails£135 · one of one
02:47
back at his
The ribbons had opinions. Nobody took anything off.
Nº 014 — the ribboned rose£145 · one of one
04:06
best seen by flashlight.
move the lighttouch to move the light
Nº 001 — the long goodbye
Nº 001 · £165 · one of one
Forty-odd petals, each cut by eye, then pressed, scorched at the edge and gathered by hand. The ribbons are left long on purpose — it should move when you do.
what to wear it with
- your leather jacket,the one that’s older than you
- his t-shirt,he won’t be getting it back
- last night’s hair.unbrushed, ideally
the morning after
contact sheet · roll 06 · frames 24–31
← drag the roll →
tonight’s set list
one of each · when it’s gone, it’s gone
No sizes, no colourways, no restock emails. Each piece is cut from offcuts and dead-stock silks, so the next one simply can’t be this one.
Posted in a brown envelope with a typed tag and the date it was finished. Free London courier on Fridays — in time for Friday.
doors at ten · strictly no plus-ones
the guest list
One letter when a new batch is finished — usually a Thursday, usually late. First look before anything goes up. Nothing else, we promise.